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C e l l o m a n i a |
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more than 140 arrangements for violoncello for free, from the Middle Ages to today, with some crazy forays (scroll down by composer name) |
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Index by number of cellos |
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Two Five (or more) |
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| Composer | Composition | Details | D o w n l o a d s |
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Anonymous Italian, anti-fascist folk song arr.: Goran Bregović |
Bella Ciao | Parts: 4 cellos Pages: 7 Measures: 80 Key signature: natural |
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Arno Babajanian arr.: Annelies Smit |
Aria Vocalise | Parts: 3 cellos Pages: 3 Measures: 27 Key signature: 1 flat |
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Johann Sebastian Bach arr.: Annelies Smit |
Aria: Geduld from: St Matthew Passion, BWV 35 |
Parts: 2 cellos Pages: 4 Measures: 47 Key signature: natural |
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Johann Sebastian Bach |
Aria from: St Matthew Passion, Zweiter Teil; BWV 66 |
Parts: 3 cellos Pages: 8 Measures: 54 Key signature: 1 flat |
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Johann Sebastian Bach arr.: Cesar Garcia Tortosa |
Aria from: Orchestral Suite No. 3: 'Air on the G-string' |
Parts: 4 cellos Pages: 4 Measures: 19 Key signature: 2 sharps |
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Johann Sebastian Bach arr.: Annelies Smit |
Contrapunctus VIII from: Kunst der Fuge, BWV 1080 |
Parts: 3 cellos Pages: 12 Measures: 187 Key signature: 1 flat |
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Johann Sebastian Bach arr.: Annelies Smit |
Gamba Sonate I, part 1 - BWV 1027
Originally: Sonata for Viola da Gamba and Cembalo |
Parts: 3 cellos Pages: 4 Measures: 28 Key signature: 1 sharp |
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Johann Sebastian Bach arr.: Annelies Smit |
Gamba Sonate II, parts 1 & 2 - BWV 1028
Originally: Sonata for Viola da Gamba and Cembalo |
Parts: 3 cellos Pages: Measures: 103 Key signature: 2 sharps |
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Johann Sebastian Bach arr.: Mike Magatagan/Annelies Smit |
Aria: Gerne will ich mich bequemen BWV 244/23 |
Parts: 3 cellos Pages: 3 Measures: 106 Key signature: 2 flats |
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Johann Sebastian Bach arr.: Annelies Smit |
Goldberg Variationen Aria, Variationen 1, 4, 7, 9 & 10 BWV 988 |
Parts: 3 cellos Pages: 9 Measures: 192 (6 x 32) Key signature: 1 sharp |
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Johann Sebastian Bach arr.: Annelies Smit |
Goldberg Variationen Aria, BWV 988 |
Parts: 2 cellos Pages: 2 Measures: 32 Key signature: 1 sharp |
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Johann Sebastian Bach arr.: Annelies Smit |
Invention No 6 BWV 777 |
Parts: 2 cellos Pages: 2 Measures: 62 Key signature: 4 sharps |
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Johann Sebastian Bach arr.: Annelies Smit |
Invention No 10 BWV 781 |
Parts: 2 cellos Pages: 2 Measures: 32 Key signature: 1 sharps |
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Johann Sebastian Bach arr.: Annelies Smit |
Sonate No 1 für Flöte und bezifferten Bass in C dür | Parts: 2 cellos Pages: 1 Measures: 14 Key signature: natural |
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| Beach Boys
American, 1961 arr.: Ben Bram, Vincent Wong, Annelies Smit |
God Only Knows (1966) |
Parts: 5 cellos Pages: 7 Measures: 78 Key signature: 4 sharps |
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Beatles British, 1960-1970 arr.: Annelies Smit |
Yesterday | Parts: 2 cellos Pages: 2 Measures: 41 Key signature: 1 flat |
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Ludwig van Beethoven German, 1770-1827 arr.: Josiah Duhlstine |
5. Sinfonie, Erster Satz c-Moll, Opus 67 |
Parts: 4 cellos Pages: 20 Measures: 496 Key signature: 3 flats |
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Ludwig van Beethoven German, 1770-1827 |
Symphony 5, mvt. II Three Cello Excerpts |
Parts: 2 cellos Pages: 2 Measures: 11, 12, 6 Key signature: 4 flats |
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Ludwig van Beethoven German, 1770-1827 |
Symphony 5, mvt. III Two Cello Excerpts |
Parts: 2 cellos Pages: 3 Measures: 79, 80 Key signature: 3 flats, natural |
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Ludwig van Beethoven German, 1770-1827 |
Symphony 6, mvt. V Two Cello Excerpts |
Parts: 2 cellos Pages: 3 Measures: 79, 80 Key signature: 1 flat |
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Ludwig van Beethoven German, 1770-1827 arr.: Annelies Smit |
7. Sinfonie, Zweiter Satz | Parts: 4 cellos Pages: 5 Measures: 76 Key signature: natural |
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Ludwig van Beethoven German, 1770-1827 |
Symphony 8, mvt. III (Trio) Cello Excerpt |
Parts: 2 cellos Pages: 2 Measures: 34 Key signature: 1 flat |
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Ludwig van Beethoven German, 1770-1827 |
Symphony 9, mvt. IV Cello Excerpt |
Parts: 2 cellos Pages: 2 Measures: 73 Key signature: 2 sharps |
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Georges Bizet French, 1838-1875 arr.: Annelies Smit |
Habanera from: Opera Carmen |
Parts: 6 cellos Pages: 6 Measures: 60 Key signature: 1 flat, 2 sharps |
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Ernest Bloch American, 1850-1959 arr.: Annelies Smit |
Prayer from: Jewish Life No. 1 |
Parts: 2 cellos Pages: 3 Measures: 66 Key signature: 4 flats |
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Luigi Boccherini arr.: Annelies Smit |
Celloconcert, opus 480 Adagio (in g) |
Parts: 3 cellos Pages: 3 Measures: 20 Key signature: 2 flats |
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Henriëtte Bosmans Dutch, 1895-1952 arr.: Annelies Smit |
Arietta from: Twee voordrachtstukjes voor viool en piano |
Parts: 2 cellos Pages: 2 Measures: 51 Key signature: 2 flats |
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Henriëtte Bosmans Dutch, 1895-1952 arr.: Annelies Smit |
Nuit calme from: Impressions pour Violoncelle avec accompagnement de Piano |
Parts: 2 cellos Pages: 5 Measures: 124 Key signature: 6 sharps |
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Eugène Bozza arr.: Annelies Smit |
Aria
Originally: Saxophone, piano |
Parts: 2 cellos Pages: 4 Measures: 80 Key signature: natural |
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Eugène Bozza arr.: Annelies Smit |
Contraste | Parts: 2 cellos Pages: 2 Measures: 48 Key signature: natural |
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Frank Bridge English, 1879-1941 arr.: Annelies Smit |
Spring Song Originally: piano, cello (1912) |
Parts: 2 cellos Pages: 2 Measures: 99 Key signature: 1 sharp |
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Karin W. Brusse Dutch arr.: Annelies Smit |
Menswording | Parts: 4 cellos Pages: 2 Measures: 48 Key signature: 1 flat |
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Giacobbe Cervetto Italian, English, 1680-1783 |
Trios for two Violins and Violoncello or Harpsicord Opus 1, Trios 1, 2 and 3 |
Parts: 3 cellos Pages: 26 Measures: 686 Key signature: various |
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Frédéric Chopin Polish/French, 1810-1849 arr.: Annelies Smit |
Étude |
Parts: 2 cellos Pages:4 Measures: 88 Key signature: 1 flat |
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Frédéric Chopin Polish/French, 1810-1849 arr.: Annelies Smit |
Prélude 'Funeral March' Opus 28 no 20 |
Parts: 4 cellos Pages: 1 Measures: 13 Key signature: 3 flats |
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Frédéric Chopin Polish/French, 1810-1849 arr.: Annelies Smit |
Sonata for violoncello and piano in g, Largo transcription for cello duet |
Parts: 2 cellos Pages: 2 Measures: 27 Key signature: 2 flats |
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Frédéric Chopin Polish/French, 1810-1849 no arrangement |
Sonata for violoncello and piano in g, Largo Opus 65 |
Parts: cello (1), piano (1) Pages: 3 Measures: 27 Key signature: 2 flats |
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Frédéric Chopin Polish/French, 1810-1849 arr.: Annelies & Do Smit |
Wals in a KK4b nr 11 (oeuvre posthume) |
Parts: 2 cellos Pages: 2 Measures: 56 Key signature: natural |
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Frédéric Chopin Polish/French, 1810-1849 original score |
Wals in a KK4b nr 11 (oeuvre posthume) |
Parts: 1 piano Pages: 2 Measures: 56 Key signature: natural |
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Frédéric Chopin Polish/French, 1810-1849 original score |
Wals in Es (oeuvre posthume) |
Parts: 1 piano Pages: 1 Measures: 34 Key signature: 3 flats |
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Leonard Cohen Canadian, 1934-2016 arr.: Annelies Smit |
Hallelujah | Parts: 5 cellos Pages: 4 Measures: 43 Key signature: 2 flats |
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Leonard Cohen Canadian, 1934-2016 arr.: Annelies Smit |
Hallelujah | Parts: 6 cellos Pages: 4 Measures: 43 Key signature: 2 flats |
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Claude Debussy arr.: Annelies Smit |
La fille aux cheveux de lin uit: Préludes (1910-1913) |
Parts: 5 cellos Pages: 4 Measures: 39 Key signature: 2 flats |
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Patrick Doyle Scottish, *1953 arr.: Jeff Slade |
Non Nobis Domine from: Henry V (1989) |
Parts: 4 cellos Pages: 4 Measures: 54 Key signature: 2 flats |
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Antonín Dvořák Czech, 1841-1904 arr.: David Johnstone, Annelies Smit |
Symphony No. 9 New World, Largo |
Parts: 5 cellos Pages: 7 Measures: 109 Key signature: 2 sharps |
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Edgar Elgar arr.: Marco Santos, Annelies Smit |
Nimrod from: Enigma Variations |
Parts: 5 cellos Pages: 3 Measures: 41 Key signature: 3 flats |
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Edgar Elgar arr.: Annelies Smit |
Salut d'amour Opus 12 |
Parts: 2 cellos Pages: 2 Measures: 100 Key signature: 2 sharps |
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Gabriel Fauré French, 1845-1924 arr.: unknown |
Pavane | Parts: 4 cellos Pages: 5 Measures: 64 Key signature: 3 sharps |
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Angelo Maria Fiorè Italian, 1660-1723 original score |
Sinfonia per due violoncelli o violoncello e basso continuo |
Parts: 2 cellos Pages: 4 Measures: 71 Key signature: natural |
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César Franck Dutch, Belgium, French, arr.: Karin Brusse, Annelies Smit |
Andantino from: Sept Pièces, l'Organiste. 1890 |
Parts: 4 cellos Pages: 2 Measures: 28 Key signature: natural |
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César Franck Dutch, Belgium, French, arr.: Karin Brusse, Annelies Smit |
Offertoire from: Sept Pièces, l'Organiste. 1890 |
Parts: 4 cellos Pages: 12 Measures: 109 Key signature: natural, 3 flats |
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César Franck Dutch, Belgium, French, arr.: Eric Haas, Annelies Smit |
Prélude from: Prélude, Fugue et Variation - Opus 18 - FWV 30 |
Parts: 3 cellos Pages: 4 Measures: 50 Key signature: 1 sharp |
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César Franck Dutch, Belgium, French, arr.: Annelies Smit |
Sonate from: Sonate pour Piano et Violoncelle |
Parts: 2 cellos Pages: Measures: Key signature: 3 sharps |
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André Gagnon Canadian, 1936-2020 arr.: Annelies Smit |
Sonate from: Violoncelle et piano |
Parts: 2 cellos Pages: 3 Measures: 74 Key signature: natural |
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Carlos Gardel French/Argentine, 1890-1935 arr.: Annelies Smit |
Por una Cabeza Tango, 1935 |
Parts: 2 cellos Pages: 3 Measures: 68 Key signature: 1 flat, 2 sharps |
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Charles Gounod French, 1818-1893 arr.: Jonathan Humphries, Annelies Smit |
Marche funèbre d'une marionnette CG 583 |
Parts: 4 cellos Pages: 8 Measures: 161 Key signature: 1 flat |
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Enrique Granados Spanish, 1867-1916 arr.: Annelies Smit |
Intermezzo from: Opera Goyescas |
Parts: 2 cellos Pages: 4 Measures: 154 Key signature: 3 flats |
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Edvard Grieg Norwegian, 1843-1907 arr.: Á. Pejtsik |
Gavotte | Parts: 4 cellos Pages: 7 Measures: 67 Key signature: natural |
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Edvard Grieg Norwegian, 1843-1907 arr.: Annelies Smit |
Intermezzo EG115 |
Parts: 4 cellos Pages: 4 Measures: 41 Key signature: natural |
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Joost Grubben Dutch, 1926-2015 arr.: Annelies Smit |
Sint Maarten Hymne originally: for four voices |
Parts: 4 cellos Pages: 5 Measures: 154 Key signature: 3 flats |
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Sofia Gubaidulina Russian, *1931 original score |
Prelude: con sordino - senza sordino | Parts: 1 cello Pages: 1 Measures: 28 Key signature: natural |
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Georg Friedrich Händel German/British, 1685-1759 arr.: Annelies Smit |
Sonata in g HWV 360, Opus 1 No. 2 |
Parts: 3 cellos Pages: Measures: Key signature: 2 flats |
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Joseph Haydn Austrian, 1732-1809 arr.: Annelies Smit |
Kwintenkwartet Opus 72 Nr 2 Menuetto |
Parts: 3 cellos Pages: 2 Measures: 37 Key signature: 1 flat |
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Wouter Hutschenruyter Dutch, 1859-1943 copyist: Annelies Smit |
Sonate für Klavier und Violoncell (Scherzo mit Trio), opus 4 | Parts: cello (1), piano (1) Pages: 8 Measures: 212 Key signature: 3 flats |
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Leos Janacek Czech, 1854-1928 arr.: Annelies Smit |
Idyll Movement I, 1878 |
Parts: 5 cellos Pages: 6 Measures: 68 Key signature: 2 sharps |
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Karl Jenkins arr.: Frederic Ploke |
Palladio | Parts: 4 cellos Pages: 6 Measures: 64 Key signature: 1 flat |
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Rolfe Kent & Paul Haslinger English, *1963 & Austrian (*1962) transcr.: Tialoc 1050, slightly improved by Annelies Smit |
Cello Duet No. 3 from: The Perfection |
Parts: 2 cellos Pages: 3 Measures: 59 Key signature: 1 flat |
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Amar Khachaturian Russian, American (1903-1978) arr.: Annelies Smit |
Andantino | Parts: 2 cellos Pages: 1 Measures: 29 Key signature: 3 flats |
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Duncan Laurence Dutch, *1994 arr.: Annelies Smit |
Arcade Dutch entry Eurovision 2019 |
Parts: 4 cellos Pages: 6 Measures: 110 Key signature: natural |
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Anatoly Lyadov Russian, 1855-1914 arr.: Á. Pejtsik |
Chant russe | Parts: 4 cellos Pages: 3 Measures: 35 Key signature: natural |
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Michel Magne French, 1930-1984 arr.: Annelies Smit |
Cent mille chansons | Parts: 4 cellos Pages: 3 Measures: 44 Key signature: 1 flat |
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Gustav Mahler |
Symphony No. 2, mvt. I Cello excerpt: Beginning until Reh. 2 |
Parts: 2 cellos Pages: 1 Measures: 40 Key signature: 3 flats |
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Gustav Mahler arr.: Annelies Smit |
1. Sinfonie, 3. Satz (Bruder Jakob, Frère Jacques, Vader Jacob) |
Parts: 5 cellos Pages: 3 Measures: 24 Key signature: 1 flat |
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Luca Marenzio Italian, 1553-1599 arr.: Annelies Smit |
Ad una fresca riva | Parts: 3 cellos Pages: 1 Measures: 18 Key signature: natural |
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Jules Massenet French, 1842-1912 |
Don Quichotte, 2nd Interlude Cello Extcerpt |
Parts: 2 cellos Pages: 1 Measures: 23 Key signature: 2 flats |
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Jules Massenet French, 1842-1912 arr.: Annelies Smit |
Élégie Nr. 1 de 20 melodies Vol. I ca. 1872 |
Parts: 2 cellos Pages: 1 Measures: 27 Key signature: 1 sharp |
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Felix Mendelssohn Bartholdy arr.: Annelies Smit |
Albumblatt | Parts: 3 cellos Pages: 3 Measures: 61 Key signature: 2 sharps |
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Felix Mendelssohn Bartholdy |
Midsummer Night's Dream, Scherzo Two cello excerpts: C-D, N-O |
Parts: 2 cellos Pages: 2 Measures: 24, 28 Key signature: 2 flats |
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Richard Meyer American, *1957 arr.: Annelies Smit |
Rosin Eating Zombies |
Parts: 5 cellos Pages: 7 Measures:91 Key signature: 1 flat, 2 flats |
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Claudio Monteverdi Italian, 1567-1643 arr.: Annelies Smit |
Canzonette no 4 | Parts: 3 cellos Pages: 3 Measures: 23 Key signature: 1 flat |
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Wolfgang Amadeus Mozart Austrian, 1756-1791 arr.: Annelies Smit |
Sechs langsame Sätze und dreistimmige Fugen, bearbeitet und ergänzt nach Werken von Johann Sebastian Bach und Wilhelm Friedemann Bach Fuga No 5 in c, KV 404a |
Parts: 3 cellos Pages: 11 Measures: 172 Key signature: 3 flats |
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Wolfgang Amadeus Mozart Austrian, 1756-1791 arr.: Annelies Smit |
Lacrimosa |
Parts: 4 cellos Pages: 3 Measures: 28 Key signature: 1 flat |
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Wolfgang Amadeus Mozart Austrian, 1756-1791 arr.: Annelies Smit |
Symphony No. 40 in g
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Parts: 5 cellos Pages: 4 Measures: 88 Key signature: 2 sharps |
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Johann Pachelbel |
Canon in D | Parts: 2 cellos Pages: 4 Measures: 77 Key signature: 2 sharps |
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Johann Pachelbel arr.: Malte Meyn |
Canon & Gigue in D PWC 37, T. 337, PC 358 |
Parts: 4 Pages: 11 Measures: 77 Key signature: 2 sharps |
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Giovanni Battista Pergolesi arr.: Annelies Smit |
Aria | Parts: 3 cellos Pages: 2 Measures: 30 Key signature: 2 flats |
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Giovanni Battista Pergolesi arr.: Mike Magatagan / Bernard Greenberg / Annelies Smit |
Stabat Mater | Parts: 4 cellos Pages: 3 Measures: 47s Key signature: 4 flats |
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Astor Piazzolla Argentine, 1921-1992 arr.: Josiah Duhlstine, Annelies Smit |
Libertango (1974) | Parts: 4 cellos Pages: 10 Measures: 100 Key signature: natural |
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Astor Piazzolla Argentine, 1921-1992 arr.: Josiah Duhlstine, Annelies Smit |
Libertango (1974) lage versie |
Parts: 4 cellos Pages: 10 Measures: 100 Key signature: natural |
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David Popper Bohemian, 1843-1913 arr.: Annelies Smit |
Gnomentanz from: Im Walde Suite Opus 50 No 2 |
Parts: 2 cellos Pages: 6 Measures: 174 Key signature: 2 flats |
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David Popper Bohemian, 1843-1913arr.: Annelies Smit |
Tarantella (opus 33) | Parts: 2 cellos Pages: 11 Measures: 382 Key signature: 1 sharp |
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David Popper Bohemian, 1843-1913 arr.: Annelies Smit |
Wie einst in schöner'n Tagen Opus 64 No 1: Drei Stücke |
Parts: 3 cellos Pages: 4 Measures: 73 Key signature: 3 flats |
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David Popper Bohemian, 1843-1913 arr.: Annelies Smit |
Wie einst in schöner'n Tagen Opus 64 No 1: Drei Stücke |
Parts: 4 cellos; cello 4 only Pages: 4 Measures: 73 Key signature: 3 flats |
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Florence Beatrice Price American, 1887-1953 arr.: Samuel Araya |
Adoration 1951 |
Parts: 5 cellos Pages: 3 Measures: 60 Key signature: 2 sharps |
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Henry Purcell English, 1658-1695 |
Rondeau from Abdelazer (1676) Z.570, No. 2 |
Parts: 5 cellos Pages: 5 Measures: 40 Key signature: natural |
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Henry Purcell English, 1658-1695 arr.: Annelies Smit |
Pavane from: Pavane & Chaconne (c. 1680) |
Parts: 4 cellos Pages: 4 Measures: 33 Key signature: 2 flats |
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Henry Purcell English, 1658-1695 arr.: Annelies Smit |
Chaconne from: Pavane & Chaconne (c. 1680) |
Parts: 4 cellos Pages: 9 Measures: 154 Key signature: 2 flats |
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Queen / Freddie Mercury English, *1970 arr.: Annelies Smit |
Bohemian Rhapsody work in progress |
Parts: 5 cellos Pages: 17 Measures: 136 Key signature: 2 flats |
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Queen / Freddie Mercury English, *1970 arr.: Annelies Smit |
Bohemian Rhapsody shortened |
Parts: 5 Pages: 7 Measures: 95 Key signature: 2 flats |
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Sergei Rachmaninoff Russian, 1873-1943 arr.: Annelies Smit |
Vocalise 4 cellos |
Parts: 4 cellos Pages: 3 Measures: 41 Key signature: 1 sharp |
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Sergei Rachmaninoff Russian, 1873-1943 arr.: Annelies Smit |
Vocalise 2 cellos |
Parts: 2 cellos Pages: 3 Measures: 41 Key signature: 1 sharp |
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Nino Rota arr.: David Johnstone |
Love Theme based on The Godfather |
Parts: 4 cellos Pages: 2 Measures: 20 Key signature: natural |
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Nino Rota arr.: David Johnstone |
Love Theme, Intro based on The Godfather |
Parts: 4 cellos | |
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| Camille Saint-Saëns
French, 1835-1921 arr.: Annelies Smit |
Le Cygne Extrait du Carnaval des Animaux |
Parts: 2 cellos Pages: 2 Measures: 28 Key signature: 1 sharp |
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Alfred Schnittke Russian, 1934-1998 cello arr.: Annelies Smit |
Pantomime Originally for violin and piano |
Parts: cello (1), piano (1) Pages: 4 Measures: 75 Key signature: natural |
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Franz Schubert Austrian, 1797-1828 arr.: Annelies Smit |
An die Musik Opus 88 No. 4 |
Parts: 2 cellos Pages: 1 Measures: 23 Key signature: 2 sharps |
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Franz Schubert Austrian, 1797-1828 arr.: Annelies Smit |
Der Tod und das Mädchen Opus 7 No. 3 |
Parts: 5 cellos Pages: 4 Measures: 43 Key signature: 1 sharp |
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Franz Schubert Austrian, 1797-1828 arr.: Annelies Smit |
Gute Nacht from: Winterreise (D 911) |
Parts: 2 cellos Pages: 2 Measures: 105 Key signature: 1 flat, 2 sharps |
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Franz Schubert Austrian, 1797-1828 arr.: Annelies Smit |
Trio Originally: Piano Trio |
Parts: 4 cellos Pages: 6 Measures: 109 Key signature: 3 flats |
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Adrien-François Servais Belgian, 1807-1866 arr.: Annelies Smit |
Caprices pour le violoncell opus 11 no 4 |
Parts: 2 cellos Pages: 6 Measures: 141 Key signature: 3 sharps |
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Adrien-François Servais Belgian, 1807-1866 arr.: Annelies Smit |
Souvenir de la Suisse, Caprice, opus 10 Cadenzas are badly performed in midi |
Parts: 2 cellos Pages: 5 Measures: 96 Key signature: 2 sharps |
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Dmitri Shostakovich arr.: Annelies Smit |
Prélude I | Parts: 3 cellos Pages: 2 Measures: 45 Key signature: 2 sharps |
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Dmitri Shostakovich arr.: Annelies Smit |
Prélude I | Parts: cellos (2), piano Pages: 4 Measures: 47 Key signature: 2 sharps |
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Dmitri Shostakovich arr.: Annelies Smit |
Waltz No. 2 from: Jazz Suite |
Parts: 3 cellos Pages: 4 Measures: 130 Key signature: 1 flat |
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Dmitri Shostakovich arr.: Annelies Smit |
Waltz No. 2 from: Jazz Suite |
Parts: cello, piano Pages: 4 Measures: 128 Key signature: 1 flat |
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Jean Sibelius Finnish, 1865-1957 arr.: Annelies Smit |
Valse Triste (1904) from: Arvis Järnefelt's Drama Kuolema Opus 44.1 |
Parts: 4 cellos Pages: 8 Measures: 198 Key signature: 1 sharp |
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Jean Sibelius Finnish, 1865-1957 arr.: Annelies Smit |
Valse Triste (1904) from: Arvis Järnefelt's Drama Kuolema Opus 44.1 |
Parts: 5 cellos Pages: 14 Measures: 198 Key signature: 1 sharp |
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Biedrich Smetana Czech, 1824-1884 |
Bartered Bride Two cello excerpts |
Parts: 2 cellos Pages: 4 Measures: 104, 31 Key signature: 1 flat |
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Annelies Smit van Hüüksloot Dutch |
De stem van een cello | Parts: cello, declamatie Pages: 1 Measures: none Key signature: 1 flat |
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Annelies Smit van Hüüksloot Dutch |
Jacob Jakje | Parts: 4 cellos Pages: 2 Measures: 28 Key signature: 1 sharp |
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Annelies Smit van Hüüksloot Dutch |
Jacob Jakje lage versie |
Parts: 4 cellos Pages: 2 Measures: 28 Key signature: 1 sharp |
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Annelies Smit van Hüüksloot Dutch |
Studiecanon in G | Parts: 4 cellos Pages: 1 Measures: 16 Key signature: 1 sharp |
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Annelies Smit van Hüüksloot Dutch |
Eén met allen | Parts: 6-12 cellos Pages: 1 Measures: 24 Key signature: 1 sharp |
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Annelies Smit van Hüüksloot Dutch |
Golf | Parts: 6-12 cellos Pages: 1 Measures: 24 Key signature: 1 flat |
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Annelies Smit van Hüüksloot Dutch |
Utrechtse Domklokken | Parts: 2 cellos Pages: 2 Measures: 37 Key signature: 3 sharps |
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Annelies Smit van Hüüksloot Dutch |
Utrechtse Domklokken | Parts: 3 cellos Pages: 1 Measures: 32 Key signature: inapplicable |
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Annelies Smit van Hüüksloot Dutch
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Cellolaria medley for two violoncelli |
Parts: 2 cellos Pages: 3 Measures: 99 Key signature: various |
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Jan Pietersz. Sweelinck Dutch, 1561-1621 arr.: Annelies Smit |
Mein junges Leben hat ein End Variations I and VI SwWV 324 |
Parts: 4 cellos Pages: 3 Measures: 39 Key signature: natural |
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| Sphallolalia from: MuseScore |
Notevember Day 4 | Parts: 3 cellos Pages: 2 Measures: 43 Key signature: natural |
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Igor Stravinsky Russian, French, American, 1882-1971 arr.: Annelies Smit |
Parasha's Aria Chanson Russe, Russian Maiden's Song from opera buffa 'Mavra' (1925) |
Parts: 2 cellos Pages: 3 Measures: 104 Key signature: 5 (2, 1) flats |
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Supertramp English, 1969 arr.: Annelies Smit |
It's Raining Again (1982) |
Parts: 5 cellos Pages: Measures: 119 Key signature: 2 flats |
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Pjotr Tchaikovsky arr.: Annelies Smit |
Andante cantabile | Parts: 4 cellos Pages: 9 Measures: 184 Key signature: natural |
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| Pjotr Tchaikovsky
arr.: E. Fine, Annelies Smit |
Dance of the Little Swans | Parts: 4 cellos Pages: 5 Measures: 40 Key signature: 3 sharps |
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Pjotr Tchaikovsky original score |
Hymn of the Cherubim from: Liturgy of St. John Chrysotom, opus 41 no. 6 |
Parts: 4 cellos Pages: 2 Measures: 68 Key signature: 2 flats |
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Pjotr Tchaikovsky |
Swan Lake Suite, No. 4 Scene Cello extract, cello solo |
Parts: 2 cellos Pages: 1 Measures: 33 Key signature: 6 flats |
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Pjotr Tchaikovsky arr.: Annelies Smit |
Variations on a Rococo Theme Opus 33, Var. III |
Parts: 2 cellos Pages: 2 Measures: 68 Key signature: natural |
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Antonio Vivaldi arr.: Annelies Smit |
Le quattro stagioni - La Primavera (De vier jaargetijden - Lente) |
Parts: 4 cellos Pages: 2 Measures: 13 Key signature: 1 flat |
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Antonio Vivaldi arr.: Reinier van der Wal |
Le quattro stagioni - L'inverno (De vier jaargetijden - Winter) |
Parts: 5 cellos Pages: 4 Measures: 18 Key signature: natural |
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Richard Wagner German, 1813-1883 arr.: Friedrich Grützmacher |
Feierliches Stück from: Lohengrin (WWV 75, 1845) |
Parts: 4 cellos Pages: 8 Measures: 94 Key signature: 3 sharps, 2 flats |
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Peter Warlock English, 1894-1930 arr.: Gwyn Seymour |
Capriol Suite The movements III, IV and V are missing from this arrangement. These can be downloaded at |
Parts: 5 cellos Pages: 11 Movements: I, IIa and IIb Key signature: natural |
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John Williams American, *1932 arr.: Annelies Smit |
Theme from Schindler's List Cello Trio |
Parts: 3 cellos Pages: 3 Measures: 49 Key signature: 1 flat |
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John Williams American, *1932 arr.: Annelies Smit |
Theme from Schindler's List Cello Quartet |
Parts: 4 cellos Pages: 5 Measures: 49 Key signature: 1 flat |
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Brian Wilson American, *1942 arr.:: Annelies Smit |
Our Prayer 1969, The Beach Boys |
Parts: 4 Pages: 2 Measures: 26 Key signature: 6 flats |
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Debbie Wiseman British, *1963 arr.: Annelies Smit |
Theme Tune Father Brown Cello Duet |
Parts: 2 cellos Pages: 1 Measures: 15 Key signature: 2 flats |
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Debbie Wiseman British, *1963 arr.: Annelies Smit |
Theme Tune Father Brown Cello Trio |
Parts: 3 cellos Pages: 1 Measures: 15 Key signature: 2 flats |
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Yazoo British arrangement Annelies Smit, based on cover by The Flying Pickets |
Only You (1982) | Parts: 9 cellos Pages: 20 Measures: 82 Key signature: 4 flats |
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