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C e l l o m a n i a |
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more than 140 arrangements for violoncello for free, from the Middle Ages to today, with some crazy forays (scroll down by composer name) |
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Index by number of cellos |
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One
Chopin Sonata (with piano) • Gubaidulina con sordino - senza sordino • Hutschenruyter Sonate (with piano) • Schnittke Old Style No. 5 (Pantomime) (with piano) • Shostakovich Waltz No. 2 (with piano) • Smit De stem van een cello (with declamation in Dutch)
Two
Bach Aria: Geduld • Bach Goldberg Variationen • Bach Invention No 6 • Bach Invention No 10 • Bach Sonate No 1 für Flöte und bezifferten Bass • Beatles Yesterday • van Beethoven Symphony 5 (mvt. II) • van Beethoven Symphony 5 (mvt. III) • van Beethoven Symphony 6 (mvt. V) • van Beethoven Symphony 8 (mvt. III) • van Beethoven Symphony 9 (mvt. IV) • Bloch From Jewish Life (Prayer) • Bosmans Arietta • Bosmans Nuit calme • Bozza Aria • Bozza Contraste • Bridge Spring Song • Chopin Étude • Chopin Sonata • Chopin Wals • Donizetti Una furtiva lagrima • Elgar Salut d'amour • Fiorè Sinfonia • Franck Sonate • Gagnon Sonate • Gardel Por una Cabeza • van Goens Scherzo • Granados Goyescas (Intermezzo) • Kent & Haslinger Cello Duet No. 3 • Khachaturian Andantino • Mahler Symphony No. 2 (mvt. I) • Massenet Don Quichotte (2nd Interlude) • Massenet Élégie • Mendelssohn Midsummer Night's Dream (Scherzo) • Pachelbel Canon • Popper Gnomentanz • Popper Tarantella • Rachmaninoff Vocalise • Saint Saëns Le Cygne • Schubert An die Musik • Schubert Gute Nacht • Schubert Quintett für Streichinstrumente • Servais Caprices pour le violoncell • Servais Souvenir de la Suisse • Shostakovich Prélude I (with piano) • Smetana Bartered Bride (Ouverture) • Smit Utrechtse domklokken • Smit Cellolaria • Stravinsky Parasha's Aria • Tchaikovsky Swan Lake Suite (No. 4 Scene) • Tchaikovsky Variations on a Rococo Theme (Var. III) • Wiseman Father Brown
Three
Babajanian Aria Vocalise • Bach Aria • Bach Contrapunctus VIII • Bach Gamba Sonate I • Bach Gamba Sonate II • Bach Aria: Gerne will ich mich bequemen • Bach Goldberg Variationen • Boccherini Cello Concert (Adagio) • CervettoTrios for two Violins and Violoncello or Harpsicord • FranckPrélude • Handel Sonata • Haydn Kwintenkwartet (Menuetto) • Marenzio Ad una fresca riva • Mendelssohn Albumblatt • Monteverdi Canzonette no. 4 • Mozart Fuga No. 5 • Pergolesi Aria • Popper Wie einst in schöner'n Tagen • Shostakovich Prélude I • Shostakovich Waltz No. 2 • SmitUtrechtse domklokken • Sphallolalia Notevember Day 4 • Williams Schindler’s List (Theme) • Wiseman Father Brown
Four
Anonymous Bella Ciao • Bach Aria • van Beethoven 5. Sinfonie (Erster Satz) • van Beethoven 7. Sinfonie (Zweiter Satz) • Brusse Menswording • Chopin Prélude (Funeral March) • Doyle Non Nobis Domine • Fauré Pavane • Franck Andantino • Franck Offertoire • Gounod Marche funèbre d'une marionnette • Grieg Gavotte • Grieg Intermezzo • Grubben Sint Maarten Hymne • Jenkins Palladio • Laurence Arcade • Lyadov Chant russe • Magne Cent mille chansons • Mozart Lacrimosa • Pachelbel Canon & Gigue • Pergolesi Stabat Mater • Piazzolla Libertango • Piazzolla Libertango (lage versie) • Popper Wie einst in schöner'n Tagen • Purcell Pavane • Purcell Chaconne • Rachmaninoff Vocalise • Rota Love Theme • Rota Love Theme (intro) • Schubert Trio (Andante) • Sibelius Valse Triste • Smit Jacob Jakje • Smit Jacob Jakje (lage versie) • Smit Studiecanon • Sweelinck Mein junges Leben hat ein End • Tchaikovsky Andante cantabile • Tchaikovsky Dance of the Little Swans • Tchaikovsky Hymn of the Cherubim • Vivaldi Le quattro stagioni (La Primavera) • Wagner Lohengrin (Feierliches Stück) • Williams Schindler’s List • Wilson Our Prayer
Five (or more)
Beach Boys God Only Knows • Bizet Carmen (Habanera) (6 cellos) • Cohen Halleluja • Cohen Halleluja (6 cellos) • Debussy La fille aux cheveux de lin • Dvořák Symphony No. 9 (Largo, New World) • Elgar Nimrod • Janacek Idyll • Mahler 1. Sinfonie, 3. Satz (Bruder Jakob) • Meyer Rosin Eating Zombies from Outer Space • Mozart Symphony No. 40 (Menuetto, Trio) • Price Adoration • Purcell Rondeau from Abdelazer • Queen (Freddie Mercury) Bohemian Rhapsody • Queen (Freddie Mercury) Bohemian Rhapsody (shortened) • Schubert Der Tod und das Mädchen • Sibelius Valse Triste • Smit Eén met allen (6-12 cellos) • Smit Golf (6-12 cellos) • Supertramp It's Raining Again • Vivaldi Le quattro stagioni (L'inverno) • Warlock (Heseltine) Capriol Suite • Yazoo Only You (9 cellos)
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Composer |
Composition |
Details |
D o w n l o a d s |
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Open |
View |
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in |
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Muse |
print |
sequen- |
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Score |
(pdf) |
sers |
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Anonymous
Italian, anti-fascist folk song
arr.: Goran Bregović |
Bella Ciao |
Parts: 4 cellos
Pages: 7
Measures: 80
Key signature: natural |
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Arno Babajanian
Armenian,
1921-1983
arr.: Annelies Smit |
Aria Vocalise |
Parts: 3 cellos
Pages: 3
Measures: 27
Key signature: 1 flat |
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Johann Sebastian Bach
German,
1685-1750
arr.: Annelies Smit |
Aria: Geduld
from: St Matthew Passion,
BWV 35 |
Parts: 2 cellos
Pages: 4
Measures: 47
Key signature: natural |
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Johann Sebastian Bach
German,
1685-1750 |
Aria
from: St Matthew Passion, Zweiter Teil; BWV 66 |
Parts: 3 cellos
Pages: 8
Measures: 54
Key signature: 1 flat |
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Johann Sebastian Bach
German,
1685-1750
arr.: Cesar Garcia Tortosa |
Aria
from: Orchestral Suite No. 3:
'Air on the G-string' |
Parts: 4 cellos
Pages: 4
Measures: 19
Key signature: 2 sharps |
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Johann Sebastian Bach
German,
1685-1750
arr.: Annelies Smit |
Contrapunctus VIII
from: Kunst der Fuge,
BWV 1080 |
Parts: 3 cellos
Pages: 12
Measures: 187
Key signature: 1 flat |
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Johann Sebastian Bach
German,
1685-1750
arr.: Annelies Smit |
Gamba Sonate I, part 1 - BWV 1027
Originally: Sonata for Viola da Gamba and Cembalo |
Parts: 3 cellos
Pages: 4
Measures: 28
Key signature: 1 sharp |
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Johann Sebastian Bach
German,
1685-1750
arr.: Annelies Smit |
Gamba Sonate II, parts 1 & 2 - BWV 1028
Originally: Sonata for Viola da Gamba and Cembalo |
Parts: 3 cellos
Pages:
Measures: 103
Key signature: 2 sharps |
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(Adagio; separate) |
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(Allegro; separate) |
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Johann Sebastian Bach
German,
1685-1750
arr.: Mike Magatagan/Annelies Smit |
Aria: Gerne will ich mich bequemen
BWV 244/23 |
Parts: 3 cellos
Pages: 3
Measures: 106
Key signature: 2 flats |
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Johann Sebastian Bach
German,
1685-1750
arr.: Annelies Smit |
Goldberg Variationen
Aria, Variationen 1, 4, 7, 9 & 10
BWV 988 |
Parts: 3 cellos
Pages: 9
Measures: 192 (6 x 32)
Key signature: 1 sharp |
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Johann Sebastian Bach
German,
1685-1750
arr.: Annelies Smit |
Goldberg Variationen
Aria,
BWV 988 |
Parts: 2 cellos
Pages: 2
Measures: 32
Key signature: 1 sharp |
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Johann Sebastian Bach
German,
1685-1750
arr.: Annelies Smit |
Invention No 6
BWV 777 |
Parts: 2 cellos
Pages: 2
Measures: 62
Key signature: 4 sharps |
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Johann Sebastian Bach
German,
1685-1750
arr.: Annelies Smit |
Invention No 10
BWV 781 |
Parts: 2 cellos
Pages: 2
Measures: 32
Key signature: 1 sharps |
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Johann Sebastian Bach
German,
1685-1750
arr.: Annelies Smit |
Sonate No 1 für Flöte und bezifferten Bass in C dür |
Parts: 2 cellos
Pages: 1
Measures: 14
Key signature: natural |
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Beach Boys
American, 1961
arr.: Ben Bram, Vincent Wong, Annelies Smit |
God Only Knows
(1966) |
Parts: 5 cellos
Pages: 7
Measures: 78
Key signature: 4 sharps |
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Beatles
British, 1960-1970
arr.: Annelies Smit |
Yesterday |
Parts: 2 cellos
Pages: 2
Measures: 41
Key signature: 1 flat |
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Ludwig van Beethoven
German,
1770-1827
arr.: Josiah Duhlstine |
5. Sinfonie, Erster Satz
c-Moll, Opus 67 |
Parts: 4 cellos
Pages: 20
Measures: 496
Key signature: 3 flats |
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Ludwig van Beethoven
German, 1770-1827 |
Symphony 5, mvt. II
Three Cello Excerpts |
Parts: 2 cellos
Pages: 2
Measures: 11, 12, 6
Key signature: 4 flats |
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Ludwig van Beethoven
German, 1770-1827 |
Symphony 5, mvt. III
Two Cello Excerpts |
Parts: 2 cellos
Pages: 3
Measures: 79, 80
Key signature: 3 flats, natural |
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Ludwig van Beethoven
German, 1770-1827 |
Symphony 6, mvt. V
Two Cello Excerpts |
Parts: 2 cellos
Pages: 3
Measures: 79, 80
Key signature: 1 flat |
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Ludwig van Beethoven
German,
1770-1827
arr.: Annelies Smit |
7. Sinfonie, Zweiter Satz |
Parts: 4 cellos
Pages: 5
Measures: 76
Key signature: natural |
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Ludwig van Beethoven
German, 1770-1827 |
Symphony 8, mvt. III (Trio)
Cello Excerpt |
Parts: 2 cellos
Pages: 2
Measures: 34
Key signature: 1 flat |
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Ludwig van Beethoven
German, 1770-1827 |
Symphony 9, mvt. IV
Cello Excerpt |
Parts: 2 cellos
Pages: 2
Measures: 73
Key signature: 2 sharps |
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Georges Bizet
French, 1838-1875
arr.: Annelies Smit |
Habanera
from: Opera Carmen |
Parts: 6 cellos
Pages: 6
Measures: 60
Key signature:
1 flat, 2 sharps |
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Ernest Bloch
American, 1850-1959
arr.: Annelies Smit |
Prayer
from: Jewish Life No. 1 |
Parts: 2 cellos
Pages: 3
Measures: 66
Key signature: 4 flats |
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Luigi Boccherini
Italian,
1843-1905
arr.: Annelies Smit |
Celloconcert, opus 480
Adagio (in g) |
Parts: 3 cellos
Pages: 3
Measures: 20
Key signature: 2 flats |
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Henriëtte Bosmans
Dutch, 1895-1952
arr.: Annelies Smit |
Arietta
from: Twee voordrachtstukjes voor viool en piano |
Parts: 2 cellos
Pages: 2
Measures: 51
Key signature: 2 flats |
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Henriëtte Bosmans
Dutch, 1895-1952
arr.: Annelies Smit |
Nuit calme
from: Impressions pour
Violoncelle avec accompagnement de Piano |
Parts: 2 cellos
Pages: 5
Measures: 124
Key signature: 6 sharps |
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Eugène Bozza
French,
1905-1991
arr.: Annelies Smit |
Aria
Originally: Saxophone, piano |
Parts: 2 cellos
Pages: 4
Measures: 80
Key signature: natural |
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Eugène Bozza
French,
1905-1991
arr.: Annelies Smit |
Contraste |
Parts: 2 cellos
Pages: 2
Measures: 48
Key signature: natural |
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Frank Bridge
English, 1879-1941
arr.: Annelies Smit |
Spring Song
Originally: piano, cello (1912) |
Parts: 2 cellos
Pages: 2
Measures: 99
Key signature: 1 sharp |
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Karin W. Brusse
Dutch
arr.: Annelies Smit |
Menswording |
Parts: 4 cellos
Pages: 2
Measures: 48
Key signature: 1 flat |
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Giacobbe Cervetto
Italian, English, 1680-1783 |
Trios for two Violins
and Violoncello or
Harpsicord
Opus 1, Trios 1, 2 and 3 |
Parts: 3 cellos
Pages: 26
Measures: 686
Key signature: various |
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Frédéric Chopin
Polish/French, 1810-1849
arr.: Annelies Smit |
Étude
Opus 25 No. 7 |
Parts: 2 cellos
Pages:4
Measures: 88
Key signature: 1 flat |
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Frédéric Chopin
Polish/French, 1810-1849
arr.: Annelies Smit |
Prélude 'Funeral March'
Opus 28 no 20 |
Parts: 4 cellos
Pages: 1
Measures: 13
Key signature: 3 flats |
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Frédéric Chopin
Polish/French, 1810-1849
arr.: Annelies Smit |
Sonata for violoncello and piano in g, Largo
Opus 65
transcription for cello duet |
Parts: 2 cellos
Pages: 2
Measures: 27
Key signature: 2 flats |
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Frédéric Chopin
Polish/French, 1810-1849
no arrangement |
Sonata for violoncello and piano in g, Largo
Opus 65 |
Parts: cello (1), piano (1)
Pages: 3
Measures: 27
Key signature: 2 flats |
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Frédéric Chopin
Polish/French, 1810-1849
arr.: Annelies & Do Smit |
Wals in a
KK4b nr 11 (oeuvre posthume) |
Parts: 2 cellos
Pages: 2
Measures: 56
Key signature: natural |
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Frédéric Chopin
Polish/French, 1810-1849
original score |
Wals in a
KK4b nr 11 (oeuvre posthume) |
Parts: 1 piano
Pages: 2
Measures: 56
Key signature: natural |
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Frédéric Chopin
Polish/French, 1810-1849
original score |
Wals in Es
(oeuvre posthume) |
Parts: 1 piano
Pages: 1
Measures: 34
Key signature: 3 flats |
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Leonard Cohen
Canadian, 1934-2016
arr.: Annelies Smit |
Hallelujah |
Parts: 5 cellos
Pages: 4
Measures: 43
Key signature: 2 flats |
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Leonard Cohen
Canadian, 1934-2016
arr.: Annelies Smit |
Hallelujah |
Parts: 6 cellos
Pages: 4
Measures: 43
Key signature: 2 flats |
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Claude Debussy
French,
1862-1918
arr.: Annelies Smit |
La fille aux cheveux de lin
uit: Préludes (1910-1913) |
Parts: 5 cellos
Pages: 4
Measures: 39
Key signature: 2 flats |
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Gaetano Donizetti
Italian, 1797-1848
arr.: Annelies Smit |
Una furtiva lagrima
Romance de l'Elisire d'amore
Allitt 36, 1832 |
Parts: 2 cellos
Pages: 4
Measures: 63
Key signature: 2 and 5 sharps |
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Patrick Doyle
Scottish,
*1953
arr.: Jeff Slade |
Non Nobis Domine
from: Henry V (1989) |
Parts: 4 cellos
Pages: 4
Measures: 54
Key signature: 2 flats |
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Antonín Dvořák
Czech, 1841-1904
arr.: David Johnstone,
Annelies Smit |
Symphony No. 9
New World, Largo |
Parts: 5 cellos
Pages: 7
Measures: 109
Key signature: 2 sharps |
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Edgar Elgar
English,
1857-1934
arr.: Marco Santos, Annelies Smit |
Nimrod
from: Enigma Variations |
Parts: 5 cellos
Pages: 3
Measures: 41
Key signature: 3 flats |
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Edgar Elgar
English,
1857-1934
arr.: Annelies Smit |
Salut d'amour
Opus 12 |
Parts: 2 cellos
Pages: 2
Measures: 100
Key signature: 2 sharps |
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Gabriel Fauré
French, 1845-1924
arr.: unknown |
Pavane |
Parts: 4 cellos
Pages: 5
Measures: 64
Key signature: 3 sharps |
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Angelo Maria Fiorè
Italian,
1660-1723
original score |
Sinfonia
per due violoncelli o violoncello e basso continuo |
Parts: 2 cellos
Pages: 4
Measures: 71
Key signature: natural |
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César Franck
Dutch, Belgium, French,
1822-1890
arr.: Karin Brusse, Annelies Smit |
Andantino
from: Sept Pièces,
l'Organiste. 1890 |
Parts: 4 cellos
Pages: 2
Measures: 28
Key signature: natural |
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César Franck
Dutch, Belgium, French,
1822-1890
arr.: Karin Brusse, Annelies Smit |
Offertoire
from: Sept Pièces,
l'Organiste. 1890 |
Parts: 4 cellos
Pages: 12
Measures: 109
Key signature: natural, 3 flats |
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César Franck
Dutch, Belgium, French,
1822-1890
arr.: Eric Haas, Annelies Smit |
Prélude
from: Prélude, Fugue et Variation - Opus 18 - FWV 30 |
Parts: 3 cellos
Pages: 4
Measures: 50
Key signature: 1 sharp |
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César Franck
Dutch, Belgium, French,
1822-1890
arr.: Annelies Smit |
Sonate
from: Sonate pour Piano et Violoncelle |
Parts: 2 cellos
Pages:
Measures:
Key signature: 3 sharps |
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André Gagnon
Canadian,
1936-2020
arr.: Annelies Smit |
Sonate
from: Violoncelle et piano |
Parts: 2 cellos
Pages: 3
Measures: 74
Key signature: natural |
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Carlos Gardel
French/Argentine,
1890-1935
arr.: Annelies Smit |
Por una Cabeza
Tango, 1935 |
Parts: 2 cellos
Pages: 3
Measures: 68
Key signature: 1 flat, 2 sharps |
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Daniël van Goens
French, of Dutch descent, 1858-1904
arr.: Annelies Smit |
Scherzo
Opus 12 No. 2. 1895 |
Parts: 2 cellos
Pages: 3
Measures: 68
Key signature: 2 sharps |
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Charles Gounod
French, 1818-1893
arr.: Jonathan Humphries, Annelies Smit |
Marche funèbre d'une
marionnette
CG 583 |
Parts: 4 cellos
Pages: 8
Measures: 161
Key signature: 1 flat |
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Enrique Granados
Spanish,
1867-1916
arr.: Annelies Smit |
Intermezzo
from: Opera Goyescas |
Parts: 2 cellos
Pages: 4
Measures: 154
Key signature: 3 flats |
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Edvard Grieg
Norwegian, 1843-1907
arr.: Á. Pejtsik |
Gavotte |
Parts: 4 cellos
Pages: 7
Measures: 67
Key signature: natural |
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Edvard Grieg
Norwegian, 1843-1907
arr.: Annelies Smit |
Intermezzo
EG115 |
Parts: 4 cellos
Pages: 4
Measures: 41
Key signature: natural |
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Joost Grubben
Dutch,
1926-2015
arr.: Annelies Smit |
Sint Maarten Hymne
originally: for four voices |
Parts: 4 cellos
Pages: 5
Measures: 154
Key signature: 3 flats |
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Sofia Gubaidulina
Russian,
*1931
original score |
Prelude: con sordino - senza sordino |
Parts: 1 cello
Pages: 1
Measures: 28
Key signature: natural |
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Georg Friedrich Händel
German/British,
1685-1759
arr.: Annelies Smit |
Sonata in g
HWV 360, Opus 1 No. 2 |
Parts: 3 cellos
Pages:
Measures:
Key signature: 2 flats |
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Joseph Haydn
Austrian,
1732-1809
arr.: Annelies Smit |
Kwintenkwartet
Opus 72 Nr 2
Menuetto |
Parts: 3 cellos
Pages: 2
Measures: 37
Key signature: 1 flat |
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Wouter Hutschenruyter
Dutch,
1859-1943
copyist: Annelies Smit |
Sonate für Klavier und Violoncell (Scherzo mit Trio), opus 4 |
Parts: cello (1), piano (1)
Pages: 8
Measures: 212
Key signature: 3 flats |
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Leos Janacek
Czech, 1854-1928
arr.: Annelies Smit |
Idyll
Movement I, 1878 |
Parts: 5 cellos
Pages: 6
Measures: 68
Key signature: 2 sharps |
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Karl Jenkins
Welsh,
*1944
arr.: Frederic Ploke |
Palladio |
Parts: 4 cellos
Pages: 6
Measures: 64
Key signature: 1 flat |
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Rolfe Kent & Paul Haslinger
English, *1963 & Austrian (*1962)
transcr.: Tialoc 1050, slightly improved by Annelies Smit |
Cello Duet No. 3
from: The Perfection
(Netflix, 2018) |
Parts: 2 cellos
Pages: 3
Measures: 59
Key signature: 1 flat |
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Amar Khachaturian
Russian, American (1903-1978)
arr.: Annelies Smit |
Andantino |
Parts: 2 cellos
Pages: 1
Measures: 29
Key signature: 3 flats |
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Duncan Laurence
Dutch,
*1994
arr.: Annelies Smit |
Arcade
Dutch entry Eurovision 2019 |
Parts: 4 cellos
Pages: 6
Measures: 110
Key signature: natural |
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Anatoly Lyadov
Russian,
1855-1914
arr.: Á. Pejtsik |
Chant russe |
Parts: 4 cellos
Pages: 3
Measures: 35
Key signature: natural |
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Michel Magne
French,
1930-1984
arr.: Annelies Smit |
Cent mille chansons |
Parts: 4 cellos
Pages: 3
Measures: 44
Key signature: 1 flat |
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Gustav Mahler
Austrian,
1860-1911 |
Symphony No. 2, mvt. I
Cello excerpt: Beginning until Reh. 2 |
Parts: 2 cellos
Pages: 1
Measures: 40
Key signature: 3 flats |
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Gustav Mahler
Austrian,
1860-1911
arr.: Annelies Smit |
1. Sinfonie, 3. Satz
(Bruder Jakob, Frère Jacques, Vader Jacob) |
Parts: 5 cellos
Pages: 3
Measures: 24
Key signature: 1 flat |
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Luca Marenzio
Italian, 1553-1599
arr.: Annelies Smit |
Ad una fresca riva |
Parts: 3 cellos
Pages: 1
Measures: 18
Key signature: natural |
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Jules Massenet
French, 1842-1912 |
Don Quichotte, 2nd Interlude
Cello Extcerpt |
Parts: 2 cellos
Pages: 1
Measures: 23
Key signature: 2 flats |
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Jules Massenet
French, 1842-1912
arr.: Annelies Smit |
Élégie
Nr. 1 de 20 melodies Vol. I ca. 1872 |
Parts: 2 cellos
Pages: 1
Measures: 27
Key signature: 1 sharp |
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Felix Mendelssohn Bartholdy
German,
1809-1847
arr.: Annelies Smit |
Albumblatt |
Parts: 3 cellos
Pages: 3
Measures: 61
Key signature: 2 sharps |
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Felix Mendelssohn Bartholdy
German,
1809-1847 |
Midsummer Night's Dream, Scherzo
Two cello excerpts: C-D, N-O |
Parts: 2 cellos
Pages: 2
Measures: 24, 28
Key signature: 2 flats |
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Richard Meyer
American, *1957
arr.: Annelies Smit |
Rosin Eating Zombies from Outer Space |
Parts: 5 cellos
Pages: 7
Measures:91
Key signature: 1 flat, 2 flats |
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Claudio Monteverdi
Italian,
1567-1643
arr.: Annelies Smit |
Canzonette no 4 |
Parts: 3 cellos
Pages: 3
Measures: 23
Key signature: 1 flat |
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Wolfgang Amadeus Mozart
Austrian,
1756-1791
arr.: Annelies Smit |
Sechs langsame Sätze und dreistimmige Fugen, bearbeitet und ergänzt nach Werken von Johann Sebastian Bach und Wilhelm Friedemann Bach
Fuga No 5 in c, KV 404a |
Parts: 3 cellos
Pages: 11
Measures: 172
Key signature: 3 flats |
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Wolfgang Amadeus Mozart
Austrian,
1756-1791
arr.: Annelies Smit |
Lacrimosa
from: Requiem, KV 626 |
Parts: 4 cellos
Pages: 3
Measures: 28
Key signature: 1 flat |
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Wolfgang Amadeus Mozart
Austrian,
1756-1791
arr.: Annelies Smit |
Symphony No. 40 in g
KV 550, 1788
Menuetto & Trio
|
Parts: 5 cellos
Pages: 4
Measures: 88
Key signature: 2 sharps |
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Johann Pachelbel
German,
1653-1706 |
Canon in D |
Parts: 2 cellos
Pages: 4
Measures: 77
Key signature: 2 sharps |
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Johann Pachelbel
German,
1653-1706
arr.: Malte Meyn |
Canon & Gigue in D
PWC 37, T. 337, PC 358 |
Parts: 4
Pages: 11
Measures: 77
Key signature: 2 sharps |
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Giovanni Battista Pergolesi
Italian,
1710-1736
arr.: Annelies Smit |
Aria |
Parts: 3 cellos
Pages: 2
Measures: 30
Key signature: 2 flats |
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Giovanni Battista Pergolesi
Italian,
1710-1736
arr.: Mike Magatagan / Bernard Greenberg / Annelies Smit |
Stabat Mater |
Parts: 4 cellos
Pages: 3
Measures: 47s
Key signature: 4 flats |
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Astor Piazzolla
Argentine,
1921-1992
arr.: Josiah Duhlstine, Annelies Smit |
Libertango (1974) |
Parts: 4 cellos
Pages: 10
Measures: 100
Key signature: natural |
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Astor Piazzolla
Argentine,
1921-1992
arr.: Josiah Duhlstine, Annelies Smit |
Libertango (1974)
lage versie |
Parts: 4 cellos
Pages: 10
Measures: 100
Key signature: natural |
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David Popper
Bohemian,
1843-1913
arr.: Annelies Smit |
Gnomentanz
from: Im Walde Suite
Opus 50 No 2 |
Parts: 2 cellos
Pages: 6
Measures: 174
Key signature: 2 flats |
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David Popper
Bohemian,
1843-1913
arr.: Annelies Smit |
Tarantella (opus 33) |
Parts: 2 cellos
Pages: 11
Measures: 382
Key signature: 1 sharp |
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David Popper
Bohemian,
1843-1913
arr.: Annelies Smit |
Wie einst in schöner'n
Tagen
Opus 64 No 1: Drei Stücke |
Parts: 3 cellos
Pages: 4
Measures: 73
Key signature: 3 flats |
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David Popper
Bohemian,
1843-1913
arr.: Annelies Smit |
Wie einst in schöner'n
Tagen
Opus 64 No 1: Drei Stücke
|
Parts: 4 cellos; cello 4 only
Pages: 4
Measures: 73
Key signature: 3 flats |
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Florence Beatrice Price
American, 1887-1953
arr.: Samuel Araya |
Adoration
1951 |
Parts: 5 cellos
Pages: 3
Measures: 60
Key signature: 2 sharps |
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Henry Purcell
English,
1658-1695 |
Rondeau from Abdelazer (1676)
Z.570, No. 2 |
Parts: 5 cellos
Pages: 5
Measures: 40
Key signature: natural |
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Henry Purcell
English,
1658-1695
arr.: Annelies Smit |
Pavane
from: Pavane & Chaconne (c. 1680) |
Parts: 4 cellos
Pages: 4
Measures: 33
Key signature: 2 flats |
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Henry Purcell
English,
1658-1695
arr.: Annelies Smit |
Chaconne
from: Pavane & Chaconne (c. 1680) |
Parts: 4 cellos
Pages: 9
Measures: 154
Key signature: 2 flats |
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Queen / Freddie Mercury
English,
*1970
arr.: Annelies Smit |
Bohemian Rhapsody
(1975)
work in progress |
Parts: 5 cellos
Pages: 17
Measures: 136
Key signature: 2 flats |
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Queen / Freddie Mercury
English,
*1970
arr.: Annelies Smit |
Bohemian Rhapsody
shortened
|
Parts: 5
Pages: 7
Measures: 95
Key signature: 2 flats |
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Sergei Rachmaninoff
Russian,
1873-1943
arr.: Annelies Smit |
Vocalise
Opus 34 No. 14
4 cellos |
Parts: 4 cellos
Pages: 3
Measures: 41
Key signature: 1 sharp |
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Sergei Rachmaninoff
Russian,
1873-1943
arr.: Annelies Smit |
Vocalise
Opus 34 No. 14
2 cellos |
Parts: 2 cellos
Pages: 3
Measures: 41
Key signature: 1 sharp |
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Nino Rota
Italian,
1911-1979
arr.: David Johnstone |
Love Theme
based on The Godfather |
Parts: 4 cellos
Pages: 2
Measures: 20
Key signature: natural |
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Nino Rota
Italian,
1911-1979
arr.: David Johnstone |
Love Theme, Intro
based on The Godfather |
Parts: 4 cellos |
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Camille Saint-Saëns
French, 1835-1921
arr.: Annelies Smit |
Le Cygne
Extrait du Carnaval des Animaux |
Parts: 2 cellos
Pages: 2
Measures: 28
Key signature: 1 sharp |
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Alfred Schnittke
Russian,
1934-1998
cello arr.: Annelies Smit |
Pantomime
from: Suite Old Style No. 5.
1972
Originally for violin and piano |
Parts: cello (1), piano (1)
Pages: 4
Measures: 75
Key signature: natural |
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Franz Schubert
Austrian,
1797-1828
arr.: Annelies Smit |
An die Musik
Opus 88 No. 4 |
Parts: 2 cellos
Pages: 1
Measures: 23
Key signature: 2 sharps |
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Franz Schubert
Austrian,
1797-1828
arr.: Annelies Smit |
Der Tod und das Mädchen
Opus 7 No. 3 |
Parts: 5 cellos
Pages: 4
Measures: 43
Key signature: 1 sharp |
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Franz Schubert
Austrian,
1797-1828
arr.: Annelies Smit |
Gute Nacht
from: Winterreise
(D 911) |
Parts: 2 cellos
Pages: 2
Measures: 105
Key signature: 1 flat, 2 sharps |
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Franz Schubert
Austrian,
1797-1828 |
Quintett für Streichinstrumente
Opus 163, D. 956
excerpt (m. 57-79, 2cellos) |
Parts: 2 cellos
Pages: 1
Measures: 23
Key signature: natural |
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Franz Schubert
Austrian,
1797-1828
arr.: Annelies Smit |
Trio
Andante. Opus 100, D 929
shortened
Originally: Piano Trio |
Parts: 4 cellos
Pages: 6
Measures: 109
Key signature: 3 flats |
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Adrien-François Servais
Belgian,
1807-1866
arr.: Annelies Smit |
Caprices pour le violoncell
opus 11 no 4 |
Parts: 2 cellos
Pages: 6
Measures: 141
Key signature: 3 sharps |
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Adrien-François Servais
Belgian,
1807-1866
arr.: Annelies Smit |
Souvenir de la Suisse,
Caprice, opus 10
Cadenzas are badly performed in midi |
Parts: 2 cellos
Pages: 5
Measures: 96
Key signature: 2 sharps |
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Dmitri Shostakovich
Soviet,
1906-1975
arr.: Annelies Smit |
Prélude I |
Parts: 3 cellos
Pages: 2
Measures: 45
Key signature: 2 sharps |
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Dmitri Shostakovich
Soviet,
1906-1975
arr.: Annelies Smit |
Prélude I |
Parts: cellos (2), piano
Pages: 4
Measures: 47
Key signature: 2 sharps |
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Dmitri Shostakovich
Soviet,
1906-1975
arr.: Annelies Smit |
Waltz No. 2
from: Jazz Suite |
Parts: 3 cellos
Pages: 4
Measures: 130
Key signature: 1 flat |
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Dmitri Shostakovich
Soviet,
1906-1975
arr.: Annelies Smit |
Waltz No. 2
from: Jazz Suite |
Parts: cello, piano
Pages: 4
Measures: 128
Key signature: 1 flat |
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Jean Sibelius
Finnish,
1865-1957
arr.: Annelies Smit |
Valse Triste (1904)
from: Arvis Järnefelt's Drama Kuolema
Opus 44.1 |
Parts: 4 cellos
Pages: 8
Measures: 198
Key signature: 1 sharp |
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Jean Sibelius
Finnish,
1865-1957
arr.: Annelies Smit |
Valse Triste (1904)
from: Arvis Järnefelt's Drama Kuolema
Opus 44.1 |
Parts: 5 cellos
Pages: 14
Measures: 198
Key signature: 1 sharp |
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Biedrich Smetana
Czech, 1824-1884 |
Bartered Bride
Ouverture
Two cello excerpts |
Parts: 2 cellos
Pages: 4
Measures: 104, 31
Key signature: 1 flat |
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Annelies Smit van Hüüksloot
Dutch |
De stem van een cello |
Parts: cello,
declamatie
Pages: 1
Measures: none
Key signature: 1 flat |
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Annelies Smit van Hüüksloot
Dutch |
Jacob Jakje |
Parts: 4 cellos
Pages: 2
Measures: 28
Key signature: 1 sharp |
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Annelies Smit van Hüüksloot
Dutch |
Jacob Jakje lage versie |
Parts: 4 cellos
Pages: 2
Measures: 28
Key signature: 1 sharp |
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Annelies Smit van Hüüksloot
Dutch |
Studiecanon in G |
Parts: 4 cellos
Pages: 1
Measures: 16
Key signature: 1 sharp |
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Annelies Smit van Hüüksloot
Dutch |
Eén met allen |
Parts: 6-12 cellos
Pages: 1
Measures: 24
Key signature: 1 sharp |
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Annelies Smit van Hüüksloot
Dutch |
Golf |
Parts: 6-12 cellos
Pages: 1
Measures: 24
Key signature: 1 flat |
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Annelies Smit van Hüüksloot
Dutch |
Utrechtse Domklokken |
Parts: 2 cellos
Pages: 2
Measures: 37
Key signature: 3 sharps |
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Annelies Smit van Hüüksloot
Dutch |
Utrechtse Domklokken |
Parts: 3 cellos
Pages: 1
Measures: 32
Key signature: inapplicable |
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Annelies Smit van Hüüksloot
Dutch
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Cellolaria
medley for two violoncelli |
Parts: 2 cellos
Pages: 3
Measures: 99
Key signature: various |
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Jan Pietersz. Sweelinck
Dutch, 1561-1621
arr.: Annelies Smit |
Mein junges Leben hat ein End
Variations I and VI
SwWV 324 |
Parts: 4 cellos
Pages: 3
Measures: 39
Key signature: natural |
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Sphallolalia
from: MuseScore |
Notevember Day 4 |
Parts: 3 cellos
Pages: 2
Measures: 43
Key signature: natural |
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Igor Stravinsky
Russian, French, American, 1882-1971
arr.: Annelies Smit |
Parasha's Aria
Chanson Russe, Russian Maiden's Song
from opera buffa 'Mavra' (1925) |
Parts: 2 cellos
Pages: 3
Measures: 104
Key signature: 5 (2, 1) flats |
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Supertramp
English, 1969
arr.: Annelies Smit |
It's Raining Again
(1982) |
Parts: 5 cellos
Pages:
Measures: 119
Key signature: 2 flats |
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Pjotr Tchaikovsky
Russian,
1840-1893
arr.: Annelies Smit |
Andante cantabile |
Parts: 4 cellos
Pages: 9
Measures: 184
Key signature: natural |
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Pjotr Tchaikovsky
Russian,
1840-1893
arr.: E. Fine, Annelies Smit |
Dance of the Little Swans |
Parts: 4 cellos
Pages: 5
Measures: 40
Key signature: 3 sharps |
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Pjotr Tchaikovsky
Russian,
1840-1893
original score |
Hymn of the Cherubim
from: Liturgy of St. John Chrysotom, opus 41 no. 6 |
Parts: 4 cellos
Pages: 2
Measures: 68
Key signature: 2 flats |
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Pjotr Tchaikovsky
Russian,
1840-1893 |
Swan Lake Suite, No. 4 Scene
Cello extract, cello solo |
Parts: 2 cellos
Pages: 1
Measures: 33
Key signature: 6 flats |
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Pjotr Tchaikovsky
Russian,
1840-1893
arr.: Annelies Smit |
Variations on a Rococo Theme
Opus 33, Var. III |
Parts: 2 cellos
Pages: 2
Measures: 68
Key signature: natural |
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Antonio Vivaldi
Italian,
1678-1741
arr.: Annelies Smit |
Le quattro stagioni - La Primavera
(De vier jaargetijden - Lente) |
Parts: 4 cellos
Pages: 2
Measures: 13
Key signature: 1 flat |
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Antonio Vivaldi
Italian,
1678-1741
arr.: Reinier van der Wal |
Le quattro stagioni - L'inverno
(De vier jaargetijden - Winter) |
Parts: 5 cellos
Pages: 4
Measures: 18
Key signature: natural |
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Richard Wagner
German, 1813-1883
arr.: Friedrich Grützmacher |
Feierliches Stück
nach dem Zuge zum Münster
from: Lohengrin (WWV 75, 1845) |
Parts: 4 cellos
Pages: 8
Measures: 94
Key signature: 3 sharps, 2 flats |
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Peter Warlock
(ps. Philip Arnold Heseltine)
English, 1894-1930
arr.: Gwyn Seymour |
Capriol Suite
The movements III, IV and V are missing from this arrangement. These can be downloaded at
www.papyromania.nl/MusicSharing/
SheetMusic/Warlock.pdf |
Parts: 5 cellos
Pages: 11
Movements: I, IIa
and IIb
Key signature: natural |
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John Williams
American,
*1932
arr.: Annelies Smit |
Theme from Schindler's List
Cello Trio |
Parts: 3 cellos
Pages: 3
Measures: 49
Key signature: 1 flat |
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John Williams
American,
*1932
arr.: Annelies Smit |
Theme from Schindler's List Cello Quartet |
Parts: 4 cellos
Pages: 5
Measures: 49
Key signature: 1 flat |
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Brian Wilson
American, *1942
arr.:: Annelies Smit |
Our Prayer
1969, The Beach Boys |
Parts: 4
Pages: 2
Measures: 26
Key signature: 6 flats |
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Debbie Wiseman
British,
*1963
arr.: Annelies Smit |
Theme Tune Father Brown
Cello Duet |
Parts: 2 cellos
Pages: 1
Measures: 15
Key signature: 2 flats |
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Debbie Wiseman
British,
*1963
arr.: Annelies Smit |
Theme Tune Father Brown Cello Trio |
Parts: 3 cellos
Pages: 1
Measures: 15
Key signature: 2 flats |
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Yazoo
British
arrangement Annelies Smit, based on cover by The Flying Pickets |
Only You (1982) |
Parts: 9 cellos
Pages: 20
Measures: 82
Key signature: 4 flats |
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